Reviewed by Jean Graham-Jones
Staging the Spanish Golden Age serves as a detailed, critical record of an important translation event for the English-speaking stage and as an insightful provocation for future theatrical-translational collaborations.
Reviewed by Kathleen Jeffs
Here is an engrossing and troubling play in a translation crying out for contemporary performance.
Reviewed by Gregary Racz
Kudos to all involved in introducing English-language audiences to Guillén de Castro’s overlooked play and in salvaging it, thus, from the limbo of unmerited oblivion.
By Alejandro Ricaño
Translated by Jacqueline E. Bixler
And come out at the Good Luck Hotel.
And they would be there.
And everything would be fine again.
By Rafael Spregelburd
Translated by Samuel Buggeln and Ariel Gurevich
Sometimes I hide a document. I put it somewhere secret, and I start to gauge the effects. When I see everyone’s desperate, I pull the document from its stash, sign it and get the belt running again. I make myself indispensable, you understand?
By Francisco Bernardo de Quirós
Translated by Ben Gunter, Kerry Wilks, and Samuel (Chip) Worthington
I’ll be as still as a dead man. Marta, tell me, God’s truth, do you know what killed me?
By Enriqué Zumel
Translated by Christopher Kidder-Mostrom
Through that terrible crone’s interfering,
I move on from this place empty-handed.
From your hands we’d like to be hearing
Applause as the room you are clearing,
If pleased you “A Fiery Young Man” did.
