By Francisco Bernardo de Quirós
Translated by Ben Gunter, Kerry Wilks, and Samuel (Chip) Worthington
I’ll be as still as a dead man. Marta, tell me, God’s truth, do you know what killed me?
By Enriqué Zumel
Translated by Christopher Kidder-Mostrom
Through that terrible crone’s interfering,
I move on from this place empty-handed.
From your hands we’d like to be hearing
Applause as the room you are clearing,
If pleased you “A Fiery Young Man” did.
By Federico García Lorca
Translated by Luigi Salerni
I don’t think it will occur to the other woman or the lady Secretary to come around here again when five years pass, but if they should come…
By Sara Freeman
This article tells the tale of several pieces of scholarship that had a deep impact upon our show, in the spirit of demonstrating the richness theatre history and historiography incorporate into a show process.
Written, translated and adapted by Jason Yancey
In true Cervantine fashion of overlapping and blurred frames, this warning to maintain a safe distance from the theatre appears to have spilled off the page and into real life.
By Antonio Muñoz de Mesa
Translated by Phyllis Zatlin
Can we go over the policy?
Reviewed by Iride Lamartina-Lens
New Plays from Spain: Eight Works by Seven Playwrights is a living testament to the continuing powerful and influential legacy of today’s theater in Spain.
